Ramsey Campbell is a respected British writer of horror and supernatural fiction. Born John Ramsey Campbell in Liverpool in 1946, he became a full time writer in 1973 after working in the Civil Service, public libraries. As well as writing he has reviewed films for BBC Radio Merseyside, and has been President of the British Fantasy Society .
The most noticeable influence in Campbell's fiction is H. P. Lovecraft. August Derleth, Campbell's mentor in his formative years, encouraged him to establish his own milieu for his Lovecraftian stories. This led to Campbell's first professional published story, The Church in High Street (1962) and his first published book, The Inhabitant of the Lake and Less Welcome Tenants (1964). Highly imaginative, these stories, most fitting loosely into the Cthulhu Mythos, are glutinous with atmosphere but weak on character. By the time the book appeared Campbell was already moving away from Lovecraft towards deeper roots. His juvenilia, which he has no qualms over sharing with his readers, show the much stronger influence of writers like M. R. James and Algernon Blackwood, plus imagery from comics and horror movies, particularly the film noir and the work of the early German directors. Movie imagery is evident in many of Campbell's stories and is the basis of Ancient Images (1989). He also novelised three 1930's movies, The Bride of Frankenstein (1977), The Wolfman (1977) and Dracula's Daughter (1977) under the US pseudonym of Carl Dreadstone and in England as E. K. Leyton. He has also published short stories under the name of Jay Ramsey and Montgomery Comfort.
Campbell's earliest stories, dating from 1958-63, were collected in two special editions of The Crypt of the Cthulhu Tales: The Tomb Herd and Others (1986) and Ghostly Tales (1987); he later compiled a retrospective of all his Lovecraftian fiction, Cold Print (1985). But the mid- to late 1960's saw his work markedly metamorphosing as he came to terms with the Lovecraftian elements and began to control his influences, placing greater emphasis on character, particularly the psychology of his protagonists. Campbell's next collections, Daemons by Daylight (1973) and The Heights of Summer (1976), trace this catharsis. His stories now focused on the evil in humankind, an evil that may arise from supernatural origins but is likely to be inherent. This new Ramsey Campbell emerged with shocking violence in his first novel, The Doll Who Ate His Mother (1976), where dabbling in Satanism result in the birth of an evil child. The events themselves are only by implication supernatural, underlying the dichotomy Campbell has liked to explore in his later work between whether evil is of a supernatural or human origin. This malevolence is more profound in his second novel, The Face That Must Die (1979), a thriller of mental decline. Campbell also utilized the latent malevolence of the cityscape to heighten this sense of alienation. Many of his subsequent novels follow this development, deploying concepts of the supernatural, especially satanic cults, as only a possible explanation (or excuse) for human failings and degradation. These novels are thus stories of possession, whether by human, supernatural or psychological intervention, often triggered by a dominant precursive figure, which rules through the spirit. All are interpretations of madness. The One Safe Place (1995) utilizes this development to produce a strongly anticensorship nonfantastic novel that explores how social deprivation is the root cause of most corruption.
Campbell's shorter stories remain more firmly in the realms of supernatural fiction an include some of the best ghost stories of the 1970's and 80's -- he received the World Fantasy Award for The Chimney (1977) and Mackintosh Willy (1979). The best of these are collected in Dark Companions (1982) and Dark Feasts (1987); the two volumes overlap extensively. Campbell also produced some sword and sorcery stories while struggling to establish himself as a freelance writer; these include the four "Ryre the Warrior" tales, starting with The Sustenance of Hoak (1977), which appeared in the Swords Against Darkness series edited by Andrew J. Offutt: non have been included in Campbell's story collections. He also completed some of Robert E. Howard's Solomon Kane stories, included in Solomon Kane 2: The Hills of the Dead (1979) by Howard. At this time Campbell produced a series of erotic horror stories, mostly for anthologies editor Michael Parry (1947- , and these have been collected as Scared Stiff: Tales of Sex and Death (1986).
Campbell's later short stories show a stronger affinity with his novels, placing greater emphasis on psychological degradation, alienation and distortions or reality. This emerges most potently in his novella Needing Ghosts (1990), a story of lost identity. Collections of later material are Waking Nightmares (1991) and Strange Things and Stranger Places (1993), plus a comprehensive retrospective Alone with the Horrors: The Great Short Fiction of Ramsey Campbell 1961-1991 (1993).
The later novels have shifted slightly from the emphasis on the evil of humanity to the possession of place, exploring the implications of residual influences caused either by humanity's spiritual or artistic passions -- as in The Hungry Moon (1986) -- or by spirit of place as in Midnight Sun (1990) and The Long Lost (1993). The last two, in particular, are rare among the late-20th-century supernatural fiction, in the complexity of their exploration of humanity's relationship with its surroundings.
Based upon Mike Ashley's entry, Campbell, Ramsey (1946- ) in The Encyclopedia of Fantasy , edited by John Clute and John Grant (Orbit, 1997).
The archive contains chiefly the manuscripts, typescripts and correspondence relating to Ramsey Campbell's literary career. There is also a large body of material sent to Campbell relating to articles and publications about him as well as a large collection of typescripts and proofs of other writers' work, such as Clive Barker and Johnathon Carroll, sent for his opinion. There is a small amount general correspondence relating to his career and works, correspondence and newsletters from societies, clubs and conferences with which he has been involved and some miscellaneous personal items that have been deposited.
The material is arranged into 6 sections:
The material is on loan to the Science Fiction Foundation Collection in the University of Liverpool, Special Collections and Archives
It is anticipated that Ramsey Campbell will continue to deposit material.
The finding aid has been edited by Roy Lumb for inclusion on the Archives Hub in July 2004 . Further editing was done by Elinor Robinson in August 2005.
Access is open to bone fide researchers
Reproduction and Licensing Rules available upon request
The Science Fiction Foundation Collection at the University of Liverpool Library contains an extensive amount of Ramsey Campbell's fiction, as well as related critical material. The catalogue is searchable online via the SF Hub . The offprints Collection in the Science Fiction archival collections at the University of Liverpool Library contains a small amount of Ramsey Campbell material (see the SF Hub for further details).
The Ramsey Campbell Official Web site also contains much useful information.
Also published under the pseudonyms:
Dreadstone , Carl . pseudonym of Ramsey CampbellThis section contains the manuscripts, typescripts and related correspondence concerning the published works of Ramsey Campbell. This includes his novels, novella, short story collections, novelised screenplays, edited anthologies, contributions to anthologies and contributions to non-fiction collections.
This section is split into 6 sub-groups:
Within each section the items are, as far as possible, arranged in their order of publication.
This section contains material relating to the novels of Ramsey Campbell including manuscripts, publishing proofs and other correspondence with publishers.
The novels are arranged in the order of their first publication. The date the novel was first published is given in square brackets.
Where a novel has been published by more than one publisher, the material relating to a single publisher has been grouped together in chronological order.
Letter accompanying the above page proofs with page numbers marked on in pen in Campbell's hand?
Letter rejecting The Face That Must Die with critical comments.
Working title: To Wake the Dead .
With covering letter from
Elizabeth Fanger
,
New York
,
Dates of Creation:
1 October 1984
, asking Ramsey to make any corrections he wishes.
Written to obtain commission from the publisher, Macdonald & Co. ; annotated by Campbell.
Letter accompanying copy-edit of The Claw , scheduled for publication in February 1983 in Futura paperback, for checking; request as to the name Campbell will be publishing under. Editing annotations in pencil in Campbell's hand.
Letter requesting a "blurb" about Campbell to be used in the preliminaries of the book. Rough draft in Campbell's hand started, in ink, at the bottom of the page.
Letter addressed to Mr. Jack Ramsey. He praises Campbell's style and development of plot but suggests faults with the resolution of the story and gives detailed editorial advice.
Letter addressed to Mr. Jay Ramsey. Reply to a letter concerning an "Authors Questionnaire"; she sees no point in Campbell submitting a fictitious biography if he remains keen to keep his identity a secret.
Telegram requesting permission to use Campbell's real name on the novel as "we could get several thousand dollars more in rights under this."
Letter accompanying a set of proofs for The Claw . It is to be published on 11 August 1983 in paperback and 22 September 1983 in hardcover library edition. There are manuscript editorial notes by Campbell on the front and rear of the letter.
With editorial markings, additions and corrections by Campbell.
With editorial markings, additions and corrections by Campbell?
With additional revised pages, additions and corrections by Campbell.
Delivery note has the message: "Here is the original manuscript to be returned to the author."
With editorial markings.
With editorial markings.
Letter asking Campbell to answer the various questions found in the galley proof. Contains notes made by Campbell.
Heavily annotated by editor.
Covering letter with galley proofs asking Campbell to check and return the marked galleys. Contains editorial notes in Campbell's hand.
A collection of covering letters: letter accompanying the copy-edit for Campbell to check and return, annotated with corrections by Campbell; letter accompanying the blurb for Obsession about Campbell for him to check; 3 pages of plans for paperback chapter headings; cover-letter accompanying returned copy-edited typescript for Campbell to keep.
Cover-letter, 4 December 1985, attached to the copy-edit manuscript, for review by Campbell to be returned by the 14 December, with editorial notes by Campbell on a separate page; cover-letter, 6 June 1986, attached to the returned copy-edited typescript for Campbell to retain.
Cover-letter accompanying 2 sets of galleys to be checked by Campbell with one to be returned. With manuscript editorial notes in Campbell's hand.
Cover-letter accompanying proofs for Campbell to check. Campbell has made notes concerning mistakes on the cover-letter.
With cover note: "Dear Ramsey, Herewith The Hungry Moon -- due back Oct 14th. There's no need to return the whole set just any marked pages will do. All best Lorraine."
Letter listing all the editorial changes for The Influence .
Letter listing all the editorial changes for The Influence .
Letter accompanying copy-edit pages of The Influence for approval by Campbell.
Letter accompanying copy-edited pages of The Influence with queries. Queries answered in note form by Campbell on the letter in red pen. Includes comments on the short story, Near Madness .
Letter accompanying proofs of The Influence for approval by Campbell.
Letter that accompanied the galleys for Ancient Images for Campbell's approval; comments on a recent meeting with Campbell; discussion concerning the enclosed rewritten synopsis of Ancient Images and issues arising in relation to the novel and its development.
Name of editor is illegible. Letter praising Ancient Images and discussing several editorial points about the story and characters. The letter is annotated in places by Campbell in response to the suggestions made.
Letter accompanying a copy-edited manuscript with several queries for Campbell to answer and then return. Campbell has annotated these queries on the letter and on a supplementary sheet.
With post-it note attached: "Mr Campbell. Here is the setting copy of Ancient Images , for your souvenir file! Best Carrie Chase".
Letter in response to editorial questions raised by Bunton concerning Midnight Sun .
Letter accompanying page proofs for approval by Campbell.
Cover letter asking Campbell to make corrections and return these to Tor.
Page proofs for approval by Campbell.
Envelope containing announcement of the August Derleth Award, won by Campbell.
Letter containing editorial notes for Campbell to answer. The notes for the answers are included in blue pencil by Campbell on the pages.
Letter accompanying page proofs of The Count of Eleven to be checked by Campbell.
Letter accompanying copy-edited manuscript requested by Campbell.
Copy-editors questions and notes for Campbell.
With notes written in manuscript on top sheet: "For au cx -- please return to Tor production by 2-16-93".
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